Expert answer:5 Pages of analyzed paper – music songs analysis
Expert answer:please choose two songs from the list and pick readings to relate to the songs for the writing. Choose and pick from what I attached below.
In the final paper, choose two songs from the listenings list that I attach below to focus
on in order to answer one of the following essay questions: 1. In what way does hip-hop constitute another way of knowing, teaching and learning? How does that relate to African American musical and verbal practices?
2. Has hip-hop changed as a medium to voice social protest? Are the issues
any different?3. Describe how hip-hop pushes the recording industry to its limits through its technological innovation, and the impact of those innovations on the legalistic framework through which musical creativity is policed.4. What are the implications of hip-hop’s expanding audience? How has its urban cosmopolitanism aged within the major music industry? Sources: Use three scholarly sources OR two scholarly sources and one well-written piece of journalism in your discussion. (You can choose from the assigned/additional readings or use other sources)The I would give you lists of readings that you’d relate to the songs in the paper, after you pick them up.ONLY CHOOSE 2 SONGS AND PICK 2-3 READINGS
list_of_lintenings.pdf
list_of_readings.pdf
Unformatted Attachment Preview
• Iceberg Slim “Duriella DuFontaine”
• Lightnin Hopkins “Dirty Dozens”
• Lightnin’ Rod/Jimi Hendrix “Duriella DuFontaine”
• Watts Prophets “The Days The Hours”
• Count Machuki and the Sound Dimension “More Scorcha”
• Jimmy Castor “It’s Just Begun”
• Gil Scott-Heron “The Bottle”
• Thin Lizzy “Johnny the Fox”
• Harlem Underground Band “Cheeba Cheeba”
• Cheryl Lynn “To Be Real”
• Blowfly “Blowfly’s Rap”
• Incredible Bongo Band “Apache”
• Fatback Band “King Tim III”
• Sugarhill Gang “8th Wonder”
• Funky 4 + 1 “That’s the Joint”
• Kurtis Blow “The Breaks”
• Fearless Four “Rockin It”
• Younger Generation “We Rap More Mellow” (actually Furious Five)
• Sequence “Funk You Up”
• Treacherous Three “Feel the Heartbeat”
• Afrika Bambaataa “Death Mix”
• Afrika Bambaataa “Jazzy Sensation”
• Kraftwerk “Trans Europe Express”
• Run DMC “Sucker MCs”, TV performance (vs Kool Moe Dee/Special K on “Graffiti Rock”)
• Eric B and Rakim “My Melody”
• Ultramagnetic MCs “Ego Trippin”
• Juice Crew “The Symphony”
• MC Shan “The Bridge”
• Boogie Down Productions “The Bridge is Over”
• LL Cool J “Rock the Bells”
• Jody Watley “Friends”
• Newcleus “Jam On It”
• Salt N Pepa “Tramp”
• De La Soul “Ring Ring Ring (Ha Ha Hey)”
• A Tribe Called Quest “Description of a Fool”
• Jungle Brothers “I’ll House You”
• Ed OG “Be a Father to Your Child”
• JVC Force “Strong Island”
• Main Source “Looking at the Front Door”
• BDP “Criminal Minded”
• Public Enemy “911 is a Joke”
• Schoolly D “Saturday Night”
• Schooly D “Black Enough For You”
• NWA “Gangsta Gangsta”
• NWA “Express Yourself”
• JJ Fad “Supersonic”
• DJ Quik “Tonight”
• Geto Boys “Damn It Feels Good to be a Gangster”
• The D.O.C. “It’s Funky Enough”
• Del “Mista Dobalina”
• Poor Righteous Teachers “Shayilah”
• Ice Cube “A Bird in the Hand”
• NWA “Niggaz 4 Life”
• Scarface “I Seen A Man Die”
• Cypress Hill “Hand on the Pump”
• Biz Markie “Alone Again”
• Black Moon “Who Got The Props”
• Onyx “Slam”
• Wu Tang Clan “C.R.E.A.M.”
• Method Man “Method Man”
• Raekwon “Incarcerated Scarfaces”
• Jeru the Damaja “Come Clean”
• Nas “The World is Yours”
• Group Home”Supa Star”
• D’Angelo “Devil’s Pie”
• Mobb Deep “Quiet Storm”
• Pharcyde “Passin’ Me By'”
• Notorious B.I.G. “Party and Bullshit”
• Junior Mafia “Players Anthem”
• Redman “Blow Your Mind”
• Tupac “Me Against the World”
• Black Star (Mos Def and Talib Kweli) “Definition”
• DJ Jubilee “Back That Thang Up”
• Mystikal “Bouncin Back”
• Lil Wayne “Block is Hot”
• Hot Boys “On Fire”
• Mike Jones “Still Tippin'”
• Nelly “Country Grammar”
• 8Ball MJG “Space Age Pimpin”
• Outkast “Player’s Ball”
• JT Money “Who Dat”
• Outkast “Rosa Parks”
• Bone Crusher feat. T.I. & Killer Mike “Never Scared”
• Rich Boy “Boy Looka Here”
• Jackie Chain etc “Rollin”
• UGK/Outkast “International Players Anthem (I Choose You)”
• Jay Z “Money Cash Hoes”
• Dmx “Ruff Ryder’s Anthem”
• Noreaga “Superthug”
• Black Rob “Whoa”
• Eminem “My Name Is”
• Kanye “All Falls Down”
• Kanye “Heard Em Say”
• ODB “Got Your Money”
• Lil Kim “Lighters up”
• Madvillain “America’s Most Blunted”
• Jadakiss “Why”
• Jay Z “Takeover”
• Cam’ron “Oh Boy”
• Soulja Boy Crank Dat
• T.I. Why You Wanna
• E40 Function
• Rick Ross Hustlin
• Kendrick Lamar Cartoon And Cereal
• Keak Da Sneak Super Hyphy
• Drake Started From The Bottom
• Earl Sweatshirt Chum
• Rich Homie Quan Type Of Way
• Young Thug Stoner
• Migos Versace
• Chance The Rapper Chain Smoker
• DJ Rashad Double Cup
• Kanye West Black Skinhead
• Mykki Blanco Wavvy
• Toop, David Rap attack 3: African rap to global hip hop. Serpent’s Tail, London, 3rd rev.,
expanded, and updated ed edition, 2000. p22–53
• Bradley, Lloyd Bass Culture: When Reggae was King. Viking, London, 2000. chap 13 “Wake
the Town, Tell the People” p288–307
• Shapiro, Peter. Turn The Beat Around: The Secret History Of Disco. Faber and Faber, New
York, 1st ed edition, 2005. p22–56
• Fricke and Ahearn eds. Yes Yes Y’all: The Experience Music Project Oral History Of HipHop’s First Decade Da Capo Press, Cambridge, MA, 2002. Chapter 4 ““And You Don’t Stop:
The Scene Matures””, p135–176
• M. A. Neal and M. Forman eds. That’s The Joint! : The Hip-Hop Studies Reader. Routledge,
New York, 2004. Part 1: 5, 6 p41–44, here
• Wax Poetics Anthology Volume 1. Wax Poetics/Puma, 2007. “Hip Hop’s Building Blocks”
p190–197
• Marley Marl On the Bridge Wars, LL Cool J and Discovering Sampling
• Chang Chapters 8, 10
• Perry, Imani Prophets Of The Hood: Politics And Poetics In Hip Hop Durham: Duke
University Press, 2004. Chapter 3 “Stinging Like Tabasco: Structure and Format in Hip
Hop Compositions” p58–101
• Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America
University Press of New England, 1994 Chap 3 “Soul Sonic Forces” Available here
• Chang: Chapters 4–7, 9
• Chang, Loop 1 Chapters 1–3
• Wald, Elijah The Dozens: A History of Rap’s Mama New York: Oxford University Press,
2012. Chapter 12 “Rapping, Snapping and Battling” p. 183–200, 221–5
• Chang: Chapters 11, 12 and 14
• M. Davis. City of Quartz: Excavating the Future in Los Angeles. Verso, London, new ed,
2006. “The Hammer and the Rock” p265–322 Read here
• C. E. Lincoln. The Black Muslims in America3rd ed Grand Rapids, Mich: W.B. Eerdmans,
1994. Chapters 1 and 2, p1–46
• F. M. Miyakawa. Five Percenter Rap: God Hop’s Music, Message, and Black Muslim Mission
Bloomington: Indiana University Press, 2005. Chapters 1 and 2 p9–40
• Jackson, John “Conspiracy is the Sincerest Form of Flattery: Hip Hop Aesthetics and
Suspicious Spiritualities” in Religion in Hip Hop: Mapping the New Terrain in the US ed. Monica
Miller, Anthony Pinn, Bernard Freeman (Bun B) London: Bloomsbury Academic, 2015
• Cross, Brian It’s Not About a Salary…Rap, Race and Resistance in Los Angeles. Verso, 1993.
Interviews with: Ice Cube (p204–217), Cypress Hill (p238–248) and
DJ Quik (p258–262)
• Chang Chapters 13, 15, 16
• Kimberle Crenshaw “Beyond Racism and Misogyny: Black Feminism and 2 Live Crew”
• Henry Louis Gates “2 Live Crew, Decoded” NY Times Op-Ed in defense of 2 Live Crew,
based on his expert witness testimony
• Henry Louis Gates “The Case of 2 Live Crew Tells Us a Lot About The American Psyche”
Letter to the NY Times clarifying the op-ed
• Good newspaper feature from the time here
• Chang Chapter 18
• Quinn, E. Nuthin’ but a “G” Thang: The Culture And Commerce Of Gangsta Rap.
Columbia University Press, New York, 2005. Chapter 8 “Tupac Shakur and the Legacies
of Gangsta” p173–192
• hampton, dream “Hellraiser”
• W. U. Wimsatt. Bomb the suburbs: graffiti, freight-hopping, race, and the search for hip- hops
moral center. Subway and Elevated Press of Chicago, Chicago, IL, 1994. p18–31
• Chang Chapter 19
• Caramanica, Jon Bun B Interview, The Believer June/July, 2006
• Rose, Tricia. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop–And
Why It Matters. BasicCivitas, New York, 2008. Chapter 11
• Outkast on the making of Aquemini
• Kitwana, Bakari Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, And The New
Reality Of Race In America. Basic Civitas Books, New York, 2005. Chapter 3 “Erasing
Blackness: Are White Suburban Kids Really Hip-Hop’s Primary Audience” p81–106
• Chris Molanphy “I Know You Got Soul: The Trouble with Billboard’s R&B/Hip-Hop Chart”
Pitchfork
• M. A. Neal and M. Forman eds. That’s the joint!: The Hip-Hop Studies Reader Routledge,
New York, 2004. Part 2: 12 Robin Kelley “Looking for the ”Real“ Nigga: Social Scientists
Construct the Ghetto” p119–136
• R. Cepeda. And It Don’t Stop: The Best American Hip-Hop Journalism Of The Last 25 Years.
Faber and Faber, New York, 1st ed edition, 2004.
Ta-Nehisi Coates “Keepin it Unreal” p310–318
• Andrew Nosnitsky “Hashtags and Heartbreak: Iamsu!, Sage the Gemini and the Bay Area’s
New Rap Revolution”Spin
• Erik Nielson and Michael Render (Killer Mike) “Rap’s Poetic (In)justice” USA Today
• Joe Coscarelli “Hip Hop Star Bobby Shmurda Finds His Label Unsupportive” NY Times
• Dave Bry “Is it OK for White Music Critics to Like Violent Rap?” New Republic
• Justin Charity “The Occupation of Chiraq” Gawker
• Ogbar, Jeffrey Hip-Hop Revolution: The Culture And Politics Of Rap Lawrence: University
Press of Kansas, , 2007. “The Minstrel Reprise: Hip-Hop and the Evolution of the Black Image
in American Popular Culture” p9–36, 184–7
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