1, How is Bitter Rice a neorealist hybrid film in ways that

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1, How is Bitter Rice a neorealist hybrid film in ways that are… 1, How is Bitter Rice a neorealist hybrid film in ways that are both similar and different from Rome, Open City, another neorealist hybrid? As you did for ROC, consider this film (Bitter Rice) in terms of the various aesthetic and narrative criteria for neorealism. How does De Santis’s style in this film lend itself to being labeled a neorealist hybrid? Describe one cinematic sequence from Bitter Rice which you feel exemplifies this categorization of the film. 2, When Vittorio De Sica made Umberto D., he unknowingly produced the “last” film of Italian neorealism proper. How does this film reflect themes in earlier neorealist films, particularly Bicycle Thieves? How does this film relate to these earlier films? Does it show regression or progression as regards the social imperative of neorealism? Make specific references to cinematic style as well as narrative. 3, According to Bondanella/Pacchioni and Marcus, why did Fellini feel the need to “trascend neorealism”? (Be sure to cite these film scholars by page number.) How does La Strada move beyond neorealist aesthetics and thematics? On the other hand, can you still perceive a glimpse of neorealist ideals in this movie? Describe one cinematic sequence from La Strada which you feel demonstrates the influence of neorealism, despite Fellini’s need to trascend that movement.Arts & Humanities English Literature ITA 120

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