articulated what it means for a person or *tribe* to identi

articulated what it means for a person or *tribe* to identify,… articulated what it means for a person or *tribe* to identify, *culturally,* as being rich (i.e., wealthy). According to anthropologist Oscar Lewis in his (now canonical and iconic) 1966 article “The Culture of Poverty,” what does it mean for a person or tribe to identify, culturally, as being poor (i.e., impoverished).Did W.I. Thomas and Florian Znaniecki think that poverty could shape a person or tribes’ sense of self? Thomas and Znaniecki wrote The Polish Peasant In Europe and America (1918).Compare and contrast W.I. Thomas and Florian Znaniecki’s research methodology in The Polish Peasant In Europe and America (1918) with Oscar Lewis’ research methodology in *The Culture of Poverty.* The term *research methodology* just means the way the anthropologist or sociologists gathers their data. reference Thomas and Znaniecki and Lewis’ works specificallyRead the New York Times article posted below and then decide whether or not you think the culture of poverty is a useful way to understand people and cultures of the world, based on what you know about this topic from this course so far. “‘Culture of Poverty’ Makes a Comeback” (2010) by Patrica Cohen (Links to an external site.)Does sociologist Robert Sampson use people’s personal correspondence (i.e., personal letters) to document the “culture of poverty” the same way W.I. Thomas and Florian Znaniecki used people’s personal correspondence to document people’s sense of self and/or ethnic identity? Sampson is mentioned in the New York Times article assigned for Q04Historically, anthropologists and sociologists don’t typically study the *culture of wealth,* (as we did on A07), they study the *culture of poverty,* as it has been articulated in Q02-05. Why do you think this is so?In the above documentary, Stranger With A Camera (1999) the *culture of poverty* located in Kentucky in the late twentieth century is described. How is this culture of poverty different from the *culture of wealth* located in Manhattan, New York in the 1980s and 1990s, as it was documented in Born Rich (2003), archived hereHow does filmmaker Hugh O’Connor’s (1924-1927) documentary work in Kentucky in the 1960s fit in with other efforts to document the culture of poverty during this timeArts & Humanities English Literature ANT MISC

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