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You will be asked to match the name or term with its appropriate identifier or definition. There
will be 10 multiple choice questions on the test. They will count 2 points apiece. The names
and terms are listed by work and in the order the work appeared on the syllabus.
Gilgamesh, Mesopotamia, Utnapishtim, epic, folk epic, theme
Homer, Agamemnon, Helen, Achilles, epithet, in medias res, Odysseus, Penelope, Tiresias, the
Lotus Eaters, Elepenor, Polyphemus, Posiedon
Sappho, Catullus, lyric poetry
Drama, Greek chorus, theatre, deus ex machina, antagonist, protagonist, dialogue, monologue,
tragedy, Sophocles, Oedipus, Jocasta
Virgil, Aeneas, Dido, pietas, gravitas, amor imperii, frugalitas, Faunus, Juno, Jove
Ovid, Pygmalion, Cinyras, Myrrha, Venus, Adonis, Atalanta
Gilgamesh
Homer the Odyssey
Sappho
Catullus
Sophocles, Oedipus Rex
Virgil The Aeneid – Book I
Ovid The Metamorphoses
The final portion of the exam will be a thoughtful response of at least 350-500 words to one of
the following questions. Answers should indicate not only knowledge of the material covered
in class but should also show some independent interpretation as well.
1 In all of our readings, we’ve seen individuals whose lives are used as examples for the
behavior of others. Which of the leaders (acknowledged or unacknowledged) in these works
would you follow? Why?
2 Aeneas is often viewed as the archetypal Roman hero. Which of the four Roman virtues
does Aeneas seem to exemplify in the passage we’ve read? Why?
3 Women often have supporting roles in these ancient works. They are objects to be won,
rescued, or traded in many cases. However, they also have the power to affect the actions of
the protagonists of these stories. Choose one of the female supporting characters in one work,
and discuss her impact on the evolution of the story. What’s her role, and why is she
important?
4 Transformations are important in The Metamorphoses, and they happen as punishments or
rewards. Life is full of dramatic and not so dramatic transformations. In your discussion,
examine whether or not a transformation is a positive or negative consequence of living. In
other words, how do the transformations in these works reflect transformations we see in our
world?
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